Music — Consumed

2019 · Mark Ronson, King Princess

Mark Ronson and King Princess take one of pop's most recognizable melodies and rebuild it from the ground up. Where The Turtles' original bounced with bright horns and layered vocals, this version pulls everything back to create space. Ronson's production stays minimal—mostly keys and subtle percussion—letting King Princess's raw, slightly raspy delivery carry the emotional weight.

The reinterpretation works because it doesn't try to compete with the original's exuberance. Instead, it finds melancholy hiding in lyrics that seem straightforward on the surface. King Princess sings "I can't see me lovin' nobody but you" like a confession rather than a declaration, turning teenage certainty into adult longing. The arrangement builds gradually, adding texture without overwhelming the intimacy.

It's a case study in restraint. Ronson, known for lush, sample-heavy production, proves he can work with negative space. King Princess brings the queer perspective that makes old love songs feel newly urgent. Together they make a 50-year-old song sound like it was written for right now—not through radical reinvention, but by trusting the bones of a great melody and knowing exactly what to strip away.